Posts Tagged unconscious mind

Muselinks for June 7, 2011: daimonic imagination, creative cycles, and marrying your muse

How to Marry Your Muse: An Interview with Jan Phillips,” Sounds True. An award-winning photographer, writer, artist, and national workshop leader shares her ideas on establishing a right relationship with your unconscious collaborator. “The whole point about the concept of ‘marrying your Muse’ is to recognize that our relationship with the inner world is every bit as important as our relationship with the outer world. If we want to experience the Muse, to really know and feel her as a collaborator in our creative work, then we have to commit our time and attention to her on a regular basis.”

Developing Your Creative Practice: Tips from Brian Eno,” Scott McDowell, 99%. This article draws practical tips from a new ebook about Brian Eno’s career and creative process, and relates his advice to recent discoveries in neuroscience about the necessity of building a relaxation phase into your creative cycle.

5 Steps to Subconscious-Driven Creativity,” Patrick Ross, The Artist’s Road. An excellent procedure for directly engaging your unconscious mind by formulating targeted questions and handing them over to it.

Writing above Your Head,” Clayton Luz, Glimmer Train. “Writing above your head makes something happen inside; it’s a process of self-realization, a self-knowing what Steven Pressfield artfully described as giving ‘birth to ourselves, to that person we were born to be, to the one whose destiny was encoded in our soul, our daimon, our genius.’”

Finding a ‘Muse’ at the Beinecke,” Iva Popa, Yale Daily News.  “For the next several months, the Beinecke Rare Book and Manuscript Library will be providing insight into ‘the science of the soul.’ A new exhibition at the Beinecke, ‘Psyche and Muse,’ features a collection of pictures, handwritten letters, postcards, manuscripts and books belonging to influential figures from the history and development of psychology, ranging from Sigmund Freud to Carl Jung.”

Daimonic Imagination, Uncanny Intelligence.” This was a conference held on May 6-7 at the University of Kent. A number of abstracts, PowerPoints, and full papers that were presented are now available online. The original call for papers itself is richly evocative and informative in its own right, and is well worth quoting at length:

In this inter-disciplinary conference we will be addressing the question of inspired creativity. In many traditions the fount of creative vision and the source of divinatory insight is located in an intelligent ‘other’, whether this is termed god, angel, spirit, muse or daimon, or whether it is seen as an aspect of the human imagination and the activation of the ‘unconscious’ in a Jungian sense. From the artistic genius to the tarot reader, the sense of communication with another order of reality is commonly attested. Such communication may take the form of a flash of intuitive insight, psychic or clairvoyant ability, or spiritual possession. In art and literature many forms have been given to the daimonic intelligence, from angels to aliens, and in the realm of new age practices encounters with spiritual beings are facilitated through an increasing variety of methods including shamanism, hypnotherapy, mediumship, psychedelics, channelling and spirit materialisation. Theories of divinatory practices such as astrology, tarot or I Ching often assume a spirit or god-like intelligence at work in symbolic interpretation, and guardian angels abound in self-help literature.

This conference is not concerned with ‘proving’ or ‘disproving’ the existence of such beings. Rather, we would invite papers that address the theme of how the ‘numinous other’ is conveyed and depicted, how its voice is heard, how it informs, and has always informed, human experience. We would like to engage the imagination and open up discussion, particularly around the subject of how researchers might best approach the study of such marginalised and culturally anomalous visions and experiences, and what their value might be.

Image credit: Dark as my soul can be” used under Creative Commons Attribution 2.0 Generic (CC BY 2.0) from formerlydumb

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Tags: Brian Eno, carl jung, daimonic imagination, jan phillips, sigmund freud, unconscious mind

In Search of Higher Intelligence: Aleister Crowley, Timothy Leary, Robert Anton Wilson (Theology, Psychology Neurology – Part Two)

NOTE: It’s tempting to begin with an exclamation like “And we’re back!” For the past several months, Demon Muse has been on hiatus as I’ve done some necessary clarifying and recharging in communion with my creative source. If you’re a long-time reader, I thank you sincerely for your patience, and for the expressions of ongoing interest that some of you have sent me. If you’re new to Demon Muse, then I hope you’ll enjoy and profit from this ongoing exploration of the theory and practice of inspired creativity, and will add your voice to the conversation in each post’s comment section. In particular, you may find it worth your while to explore the Course in Demonic Creativity, which organizes this blog’s “backbone posts” into a coherent course of self-study in the art of creativity as a muse-driven or daimon-driven pursuit. (For an even more easily accessible and portable presentation, look for an ebook version later this year.)

Be advised that the present post inaugurates a new format that will include 1) occasionally longer articles with endnotes and 2) a drastic reduction in the number of in-text links. For a rationale concerning the second part, see “Experiments in delinkification” by Nicholas Carr, author of “Is Google Making Us Stupid?” and its book-length expansion, The Shallows: What The Internet Is Doing to Our Brains. Also see “To link or not to link? That is the question” at The Economist and “The Hyperlink War” at the Barnes & Noble Review. Or do a Google search for hyperlinks + distraction. For a rationale concerning the first part: Endnotes keep a reader engaged in the same text instead of leading attention away.

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Image: ConsciousnessTo review, in the opening post of this series I raised the question of whether the personification of the creative force that we’ve been pursuing here at Demon Muse is “really real.” Is the muse, the daimon, the personal genius — that gravitational center of our creative energy and identity — truly a separate being/force/entity with an independent, autonomous existence? Or are such words and the experience to which they refer simply convenient metaphors for the unconscious mind? The first thing we discover when we truly begin to consider the issue in depth is that arriving at a viable answer will not be, and cannot be, as straightforward a matter as it might first appear. All of our attempts run us into immediate difficulties, because whichever side we try to choose, we find we’re automatically skirting important issues and begging crucial questions. Hence, the value of reviewing some of the various ways in which intelligent individuals have understood the experience of guidance and communication from a muse-like source.

Of all the myriad strands in the cultural conversation about this issue, it would be hard to identify a more pertinent — or fascinating (and entertaining) — one than the line of influence connecting 20th-century occultist Aleister Crowley to psychedelic guru Timothy Leary to counterculture novelist-philosopher and “guerilla ontologist” Robert Anton Wilson. The dividing line between objective and subjective interpretations of the experience of external-seeming communication from an invisible source is highlighted not only in their individual stories but in the plotline that connects them. In particular, Wilson’s final “resting point” in terms of a belief system to encompass the whole thing is helpful and instructive in our search for the muse’s ontological status, and can prove a helpful tonic for dogmatism, because what he ended up with was more of an anti-belief system that highlights and hinges on the irreducible indeterminacy of any possible answer.

By way of a warning: Prepare for high weirdness! What follows is a strange story. Read the rest of this entry »

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Tags: Aleister Crowley, daemon, Holy Guardian Angel, Magick, muse, Occultism, Psychedelics, Robert Anton Wilson, Timothy Leary, unconscious mind

Theology, Psychology, Neurology: Is the Muse Real? (Part One)

Image: Angel of FateAn ever-increasing segment of the population is becoming aware of and interested in the muse-based or genius-based model of creativity. More and more people are discovering the idea that creativity can rightly and fruitfully be viewed as an external or independent force that influences and works through a person in the manner of the classical muse, that divine spirit — or, for the ancient Greeks, the several divine spirits — whose function is to whisper inspiration directly into the human mind and soul.

And this all leads, eventually, to a crucial question: What exactly are we talking about? Is it more correct to say that creativity really is an independent and autonomous force, or that it can be viewed as such?

In short, is the muse real? Read the rest of this entry »

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Tags: Elizabeth Gilbert, francis bacon, leigh schmidt, muse, religion, the enlightenment, unconscious mind

Creativity, the Greek Daimons, and the New Consciousness Revolution

Photo: Cosmic EyeOne of the posts that consistently draws the most traffic here at Demon Muse is “A Brief History of the Daimon and the Genius.” This confirms what I already knew when I launched this project: that interest in the subject of the “inner other” — the sensed presence of another mind, an autonomous/independent force that each of us carries in his or her psyche, and that came to be known as “the unconscious” with the advent of psychoanalytic theory in the late 19th and early 20th centuries — is running high these days, and that this is leading to an increased interest in the deep cultural history of the subject.

This runs entirely in tandem with the wider phenomenon of a steadily increasing interest among the mainstream of consumer-technological society in matters related to consciousness, reality, metaphysics, and so on. In a recent post at my other blog, The Teeming Brain, I described the whole thing as follows:

[In the 1960s] it seemed as if the collective cranium of Western and global civilization was primed to erupt in a psychedelic expansion into new realms of thought, experience, and being that would inevitably lead to new patterns of social, political, religious, and cultural arrangement.

. . . . Now fast forward to the first decade of the 21st century, and what do we find? As in the sixties, everything seems apocalyptic. Everything seems poised to melt away and reveal an ugly truth lurking beneath the facade of what we have collectively agreed to call a normal way of life. For Americans especially, what primed us for this was the Y2K non-event. Then 9/11 deflowered us. After that, successive waves of tentative financial calamity, followed by our current and ongoing full-blown financial-economic collapse, erased our (illusionary) innocence entirely. Additionally, fears about serious and calamitous climate change have made significant attitudinal contributions, along with other ecological portents, fears about peak oil and 2012, and the first-ever wide-open recognition, by pretty much the entire public at large, of the entrenched and seemingly incurable corruption of our most prominent political and business institutions, as illustrated most recently by the collusion of BP and the U.S. federal government in creating a total fustercluck in the Gulf of Mexico.

And running neck in neck with this — again as in the 60s — we’re seeing a concomitant explosion of new discourse, expressed in books (including those by the likes of, e.g., Anthony Peake and Deborah Wells), films, music, and more, that appears to pick right back up where the original consciousness revolution left off. This formerly esoteric and marginal realm of investigation and experience, which deals with a true upending of conventional notions about selfhood, identity, time, space, and reality, presently appears to be snowballing into a major cultural force with transformative and mainstream-invading potential.

– Matt Cardin, “The 1960s Redux: In our new age of apocalypse, is the consciousness revolution back on?” The Teeming Brain, August 18, 2010

In light of all this, when I sat down to write this week’s Demon Muse post, I realized it would be valuable and worthwhile to say more about the daimon, because this concept, or tropes and themes closely akin to it, lurks behind and figures into most if not all aspects of this ongoing cultural metamorphosis, which in turn is deeply linked to our shared focus here on recognizing the reality of, and then cultivating a harmonious relationship with, your muse/daimon/genius/unconscious mind in order to empower your creative work with an organic and deeply meaningful sense of inspiration and direction. Read the rest of this entry »

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Tags: 2012, ancient greeks, anthony peake, consciousness, daimon, daniel pinchbeck, dark awakenings, deborah wells, e.r. dodds, homer, inception, james hillman, plato, psychoanalysis, reginald barrow, rollo may, socrates, stephen a diamond, unconscious mind, victoria nelson

Advice for Writers: Dig Deep into Your Passion

I’ve just been interviewed by a publisher of dystopian and post-apocalyptic fiction for a feature at their blog. Along with questions about my writing career — how I got hooked up with Ash-Tree Press for Divinations of the Deep and Mythos Books for Dark Awakenings, how I came to my overriding focus on the combination of horror with religion and spirituality, what my writing process is like, etc. — the interviewer asked me if I had any advice for aspiring writers.

It was only after I had answered the question that I realized I had ramped up into a state of heady intensity as I tried to distill my best advice to writers into the span of a few sentences. Since I know this type of thing is of interest to Demon Muse’s audience, I figured I’d reprint it here, with a few slight expansions.

Here’s what I said: Read the rest of this entry »

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Tags: advice, daimon, dark awakenings, divinations of the deep, muse, publishing, ray bradbury, unconscious mind, writing

The Muse in the News

inspirationAs recounted in part two of “Embrace Your Creative Demon’s Rhythm,” the poet Amy Lowell once compared poets to radio antennas. The poet, she said, is someone who “is capable of receiving messages on waves of some sort; but he is more than an aërial, for he is capable of transmuting these messages into those patterns of words we call poems.”

Lately, if you consciously fashion yourself into a different kind of antenna — specifically, one that’s set to detect references to the daimon/daemon, the genius, and the creative muse in current cultural discourse — you’ll find that you receive a lot of signals indeed. There’s a diffuse conversation afoot about this ancient view of creativity and selfhood, and paying attention to it can reap some serious rewards in terms of clarifying your crucial relationship to your own inner partner.

Here are some choice items from the past few weeks, months, and years. Read the rest of this entry »

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Tags: amy lowell, creativity, daimon, demon, edward hirsch, Elizabeth Gilbert, lawrence staples, meredith wickham, mike nichols, muse, nick laird, Steven Pressfield, sunni brown, thomas moore, tony white, unconscious mind

Stoking Your Creative Fire: Embrace Your Creative Demon’s Rhythm (2)

NOTE: This is a continuation and conclusion of a previous post. See “Embrace Your Creative Demon’s Rhythm (1)” for the contextual lead-in to what follows.

HandsThe myth of constant creative output

It’s common for those of us who are driven to pursue work in the creative arts to have in mind an ideal goal that we’re aiming for. Along with hopes of having our efforts recognized by an appreciative audience, probably one of the most common desires is to achieve a state of regular, and even constant, creative flow.

The reasons for this are obvious. As a matter of phenomenological fact, writing or other creative work can make you high. Even those writers (and there are plenty of them/us) for whom the actual act of writing is sometimes or always a matter of sheer drudgery have experienced those moments of deep satisfaction when everything comes together, the stars align, the chi flows, and it’s as if the universe is doing the work through you. It’s only natural to wish that it could always be this flowing, this fulfilling, this easy.

Natural — but dangerous and unrealistic. A number of unexamined assumptions lie behind the myth of perpetual creative production, and it’s hard to judge which is the more pernicious and damaging to deep and authentic creativity. The basic problem is that a person in this state is judging himself or herself according to an artificial, external, and impracticable standard. Read the rest of this entry »

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Tags: alice flaherty, amy lowell, charles dickens, Dealing with Creative Block, dreams, h.p. lovecraft, harper lee, hypergraphia, inspiration, joe hill, maurice levy, muse, philip larkin, stephen king, unconscious mind, victoria nelson, writer's block

Stoking Your Creative Fire: Embrace Your Creative Demon’s Rhythm (1)

FirestarterFor many of us, one of the hardest things to learn in the creative life is the necessity of falling into step with our creative demon’s innate rhythm. Your inner partner is invested with a certain schedule or pace, and a major part of your job is to discover this schedule through trial and error — and then to embrace it wholeheartedly.

Note the emphasis: You don’t choose when your demon will deliver the creative goods. Cooperating with your genius or muse isn’t like ordering fast food. In the creative life, delivery may be fast — or it may be slow. It may be regular — or it may be intermittent. Regardless, your task, the job of you-as-ego, is first to find your demon’s natural schedule and then to welcome it, to second it, to work with it wholeheartedly. Semi-paradoxically, this deliberate cooperation is also what enables you eventually to exercise, if not outright control, then some sort of benign mutual influence over the comings and goings of your creative cycles.

The overall principle is illustrated by something H.P. Lovecraft said about his authorial process in a 1928 letter to Frank Long. “I never try to write a story, but wait till it has to be written” (Lovecraft’s emphases). That’s what we’re talking about: waiting for the moment when creative work has to be done, as indicated and dictated by the internal pressure of daemonic necessity.

But, significantly, not all waiting is alike. It’s common to think of waiting as a passive activity, but the type of waiting we’re talking about is quite active, so much so that you may be just as well served by thinking of it as an aggressive (or maybe passive-aggressive?) courting of your demon muse, a kind of “come-on” that encourages it to provide an influx of inspiration. Whichever way you want to regard it, learning to do it effectively represents a milestone in your maturation as a creative artist. Read the rest of this entry »

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Tags: angel, betty scott, creative demon, creative process, daimon, dorothea brande, genius, graham wallas, h.p. lovecraft, muse, s.t. joshi, unconscious mind

Ignorance, Faith, and the Discipline of the Demon Muse, Part 2

As explored in Part 1 of this series, communications from your unconscious mind are recognizable as such by the fact that they occur spontaneously. From your point of view — that is, the viewpoint of you-as-conscious-ego — the voice of the unconscious arrives in the form of involuntary promptings from a separate, independent, autonomous source within your subjectivity. This source — to restate the fundamental insight that animates this blog — is, or is equivalent to, the muse, daimon/daemon, and personal genius of classical antiquity.

(It’s also equivalent to a few additional and equally potent metaphors that we haven’t talked about yet, such as the Spanish duende as described by Federico Garcia Lorca. See “A Writer’s Guide to the Psyche, Part 1” and Part 2 for more detail about the daimon and such.)

Learning the specific “language” of your unconscious mind is therefore crucial to the cultivation of an empowered creative life. It doesn’t do you much good if your genius is trying to speak to you but you can’t understand it, or if you don’t even recognize the sound of its voice.

What you have to do is figure out, via careful attentiveness to your inner states of mind and emotion, the form(s) and the channel(s) by which and in which your inner partner wants to communicate and collaborate. We’ve already explored the general idea and some specific techniques by which you can get to know your daemon’s character (see “Getting to Know Your Creative Demon, Part 1,” Part 2, and Part 3). Now it’s time to take a look at what’s effectively the converse side of things by considering the specific ways in which your daemon tries to make itself and its wishes known to you. Read the rest of this entry »

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Tags: brewster ghiselin, buddhism, carl jung, creative unconscious, creativity, daemon, daimon, dorothea brande, dorothy canfield, duende, eckhart tolle, federico garcia lorca, fourth way, genius, gurdjieff, h.p. lovecraft, james bonnet, john gardner, mindfulness, morning pages, muse, religion, sandra lee dennis, Tapping the Creative Unconscious, unconscious mind, zen

Ignorance, Faith, and the Discipline of the Demon Muse, Part 1

When you get into a serious study of creativity like the one we’re pursuing here at Demon Muse, it’s all too easy to lose sight of the forest among the trees. That is, it’s easy to get caught up in the attractions of ideas and theories, to the point where you forget what the whole thing is really about. This can dampen your enthusiasm for actually performing creative work, whereas recalibrating your attitude can have the opposite effect of inflaming your muse.

What it’s all about, this daimonic or daemonic approach to creativity, this muse-based theory of inspiration, this discipline of embracing your inner genius, is the alignment of your creative act with your deep creative intent. It’s about divining your daemonic passion and then letting this be your guide when you write (or compose, paint, perform, etc.).

The thing is, you can only get it right when you’re not self-conscious about it. During the act of creation itself, you can only ride the daemonic wave by focusing your attention exclusively and intensively on your sense of rightness — or, as a corrective, your sense of wrongness — as you seek to follow the thread of your passion.

So this is all to say that when you come to the actual moment of putting down words on paper, the way to unleash your demon is to forget all about it. The moment of creation isn’t the time to be reflecting on — or, God help you, deliberately trying to follow or implement — psychological theories or concepts about creativity or anything else. Rather, it’s the moment when you should abandon all reflectiveness about what you’re doing, willingly embrace a sense of ignorance (and therefore openness) about where you’re headed and how you’ll get there, and simply heed the impulse of what wants to be said.

And how, exactly, are you supposed to do that? Simple: You find and follow what feels right, for this is the irrefutable and infallible voice of your creative demon speaking. Read the rest of this entry »

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Tags: carl jung, creative process, creative psychology, creativity, daemon, daimon, daimonic, james hillman, muse, stephen diamond, unconscious mind

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